Philosophy Resonances du readymade saree
Essais qui s attache d montrer comment les readymades de Marcel Duchamp r v lent un paradigme esth tique valable pour toute la modernit Resonances du readymadeThierry de Duve son of Nobel Prize winning cytologist and biochemist Christian de Duve is a Belgian scholar of the history and theory of modern and contemporary art He is a scholar of Immanuel Kant and has written several books on the artist Marcel Duchamp including Pictorial Nominalism On Marcel Duchamps Passage from Painting to the Readymade 1991 The Definitively Unfinished Marcel Duchamp 1993 and Kant After Duchamp 1998 Committed to a reinterpretation of modernism much of his earlier work revolves around the challenges presented in Marcel Duchamps readymades and their and implications for aesthetics Thierry de Duve outlines an aesthetic theory of art to meet the requirements of our time which mainly consists of three Thierry de Duve son of Nobel Prize winning cytologist and biochemist Christian de Duve is a Belgian scholar of the history and theory of modern and contemporary art He is a scholar of Immanuel Kant and has written several books on the artist Marcel Duchamp including Pictorial Nominalism On Marcel Duchamp s Passage from Painting to the Readymade 1991 The Definitively Unfinished Marcel Duchamp 1993 and Kant After Duchamp 1998 Committed to a reinterpretation of modernism much of his earlier work revolves around the challenges presented in Marcel Duchamp s readymades and their and implications for aesthetics Thierry de Duve outlines an aesthetic theory of art to meet the requirements of our time which mainly consists of three components 1 updating Kant s aesthetics by replacing the phrase this is beautiful with this is art as the paradigm for aesthetic judgment 2 reassessing Modernism in painting from Manet onwards with theory informed by Clement Greenberg while at the same time acknowledging its failure 3 reflecting on the historical evolution of Fine Arts from the primacy of painting as a specific privileged avenue for art production to the general art at large espoused by later theorists and practitioners of contemporary art.
Book Resonances du readymade wooden For Thierry de Duve there is no difference between modern post modern and contemporary art the same logic rules from the beginning Art has no essence it is simply what we call by that name Borrowing from Lacanian identity theory Duve argues that the human brain develops prematurely and the drive to create and consume art arises from neotenous desires that condition all humans Thus for him the enterprise of art remains utterly tragic accounting for and responding to messianic desires of how life should be while at the same time informed by a postmodern weariness of modernism s naivety and inevitable failure.
Book Resonances du readymade wooden With his colleague Jean Guiraud he co founded the free institute of Fine Art cole de Recherche Graphique ERG in Brussels 1972 He curated the Belgian Pavilion at the Venice Biennale in 2003 He has been a visiting professor at the University of Lille III France the Sorbonne France MIT and Johns Hopkins University and was the Elliot and Roslyn Jaffe Distinguished Visiting Professor in Contemporary Art in Penn s History of Art Department He was a fellow at the Center for the Advanced Study of the Visual Arts CASVA at the National Gallery of Art in Washington D.
Resonances du readymade nonfiction C In 2000 he curated the exhibition Here 100 years of contemporary art at the Palais des Beaux Arts in Brussels site_link
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